50/50
Movies about cancer don’t have to take themselves too
seriously in order to be profound. That’s the cinematic lesson I learned from a
beautiful little gem called 50/50, starring Seth Rogen (Knocked up, Pineapple
Express, The Green Hornet) and Joseph Gordon-Levitt (Mysterious Skin, Inception,
3rd rock from the sun).
What sets 50/50 apart from your standard film about cancer
is director Jonathan Levine’s (All the boys love Mandy Lane) off-beat approach to
a very grim topic, imbuing his story with a great comical flair that prevents
the film from ever descending into the depths of melodramatic cheesiness. But
that’s not to say that 50/50 isn’t going to grip you – if anything, the quirky
nature of the film only manages to heighten the film’s emotional intensity, as
characters’ reactions feel real and honest as they try to deal with some really
dreadful events in their lives.
"characters’ reactions feel real and honest as they try to deal with some really dreadful events in their lives."
As with any movie based on grave events, 50/50 shines
primarily thanks to brilliantly honest performances by its cast. At the helm of
things is Joseph Gordon Levitt, whom is actually no stranger to unconventional
roles – Some like Mysterious Skin, which most casual movie goers will not be familiar
with. His experience however becomes very obvious in 50/50, as he is perfectly
casted as a young working man troubled by the news that he has acquired a very
serious type of cancer. Levitt plays the role with a superb level of ease as
his character at first tries to deny the seriousness of his situation. As
things start to get more dire however, Levitt’s performance changes quite
dramatically, delivering exceptional emotional climaxes for viewers to indulge
in.
What makes this even more delightful is the fact that Levitt’s
performance is complemented by a stellar cast: Seth Rogen is the perfect supportive
buddy, Bryce Dallas Howard (The help, Lady in the water, The Village) a very
unsupportive ex and Anna Kendrik (Up in the air, Twilight, Scott Pilgrim vs the
World) a super funny psychologist in training. I can openly attest of the greatness
of each of these supporting performances and don’t want to single out one , but
if I had to, I would go for Anna Kendrik.
A quirky and surprisingly upbeat indie-like score adds to
the film’s dry and off-beat tone and should be a big hit for fans of the music of
films like Garden State and Juno. Great cinematography and generous pacing
gives the story a lot of room to grow in your mind, leading to a very
pleasurable film experience.
"Great cinematography and generous pacing gives the story a lot of room to grow in your mind, leading to a very pleasurable film experience."
Highlight: Levitt's emotional breakdown close to the end of the film is honour to experience.
True buddies, through and through. |
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